247 bars of 4/4 at 141 BPM, about 7:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-16, hi-hat through bars 17-40, snare through bars 41-44, hi-hat through bars 45-48 and snare through bars 49-52, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 6-7, 9-10 and 12-13, and 37 more places -- 36.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x-------x-|16 fills to learn, played 29 times: bars 44, 48, 52, 56, 96, 100 and 23 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
247 bars, about 7:07 at the written tempo. The course breaks it into 62 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 44, 48, 52, 56, 96, 100 and 23 more.