174 bars at 170 BPM -- fast, and 4:05 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1, hi-hat through bars 2-67, toms through bars 68-71, hi-hat through bars 72-137, toms through bars 138-139 and hi-hat through bars 140-163, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 14 more places -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--g-x-g-x-o-x-g-|
SD |----x--g-g--x---|
BD |x-------x-x---x-|20 fills to learn, played 38 times: bars 6, 10, 14, 22, 38, 47 and 32 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
174 bars, about 4:05 at the written tempo. The course breaks it into 77 exercises over 22 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 38 times: bars 6, 10, 14, 22, 38, 47 and 32 more.