179 bars at 158 BPM -- fast, and 4:32 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 2-40, hi-hat through bars 41-57, snare through bars 58-90, hi-hat through bars 91-105, silence through bars 106-118 and toms through bars 119-133, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 22 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4
1e+a2e+a3e+a4e+a
BD |x-----x-x---x---|9 fills to learn, played 16 times: bars 40, 41, 49, 88, 89, 90 and 10 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
179 bars, about 4:32 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 40, 41, 49, 88, 89, 90 and 10 more.