88 bars of 4/4 at 120 BPM, about 2:56 of playing, on hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 3-9, hi-hat through bars 10-30, silence through bars 31-32, hi-hat through bars 33-68, silence through bars 69-76 and hi-hat through bars 77-88.
The beat the song is built on is one bar, played through bars 15-30, 45-68 and 77-88 -- 68.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
15
1e+a2e+a3e+a4e+a
HH |--xx--x---xx--x-|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
88 bars, about 2:56 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 29 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.