264 bars of 4/4 at 139 BPM, about 7:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on how fine the subdivision is.
ride through bars 1-14, toms through bars 15-16, hi-hat through bars 17-80, ride through bars 81-104, hi-hat through bars 105-152 and ride through bars 153-188, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 43 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1...............2...............3...............4...............
CC |x-------------------------------x-------------------------------|
HH |----------------x-------x---------------x-------x-------x-------|
SD |--------------------------------x-------------------------------|
BD |x-----------------------x-------------------------------x-------|26 fills to learn, played 43 times: bars 15, 16, 20, 22, 24, 28 and 37 more.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
139 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 46 out of 100; the rest of the number is everything around it.
264 bars, about 7:38 at the written tempo. The course breaks it into 75 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 43 times: bars 15, 16, 20, 22, 24, 28 and 37 more.