146 bars of 4/4 at 154 BPM, about 3:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-15, snare through bars 16-134, silence through bars 135-136, snare through bars 137-139, silence through bars 140-141 and snare through bars 142-146.
The beat the song is built on is one bar, played through bars 22, 24 and 28, and 17 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
37
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-x---x-x-x-x-x-|
HF |x-x---x-x-------|6 fills to learn, played 22 times: bars 19, 21, 25, 27, 31, 33 and 16 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
146 bars, about 3:48 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 22 times: bars 19, 21, 25, 27, 31, 33 and 16 more.