121 bars of 4/4 at a walking 84 BPM, 5:46 of playing, on hi-hat, snare and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-85, silence through bars 86-92, hi-hat through bars 93-117, silence through bars 118-119 and hi-hat through bars 120-121.
The beat the song is built on is one bar, played through bars 9-84 and 93-116 -- 96.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-xxx-x-x-xx|
SD |----x-------x-xx|
BD |----x-------x--x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
121 bars, about 5:46 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 21 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.