113 bars of 4/4 at 123 BPM, about 3:40 of playing, on crash, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-17, silence through bars 18-20, snare through bars 21-40, kick and crashes through bars 41-47 and snare through bars 48-72, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 25-27, 29-31 and 33-35, and 6 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25 26
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |---x--x-----x---|---x--x-----x---|
BD |x---x---x-------|x---x---xxxx-x--|10 fills to learn, played 21 times: bars 28, 32, 36, 54, 55, 56 and 15 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 43 out of 100; the rest of the number is everything around it.
113 bars, about 3:40 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 28 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
10 fills to learn, played 21 times: bars 28, 32, 36, 54, 55, 56 and 15 more.