92 bars of 3/4 -- not four -- at 86 BPM, 3:14 of playing on crash, hi-hat, snare, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-24, snare through bars 25-32, hi-hat through bars 33-40, snare through bars 41-48, hi-hat through bars 49-57 and silence through bars 58-59, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 7, 25-27 and 29-31, and 11 more places -- 47.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25
1e+a2e+a3e+a
CC |x-x-x-x-x-x-|
SD |------x-----|
BD |x---x-----x-|4 fills to learn, played 9 times: bars 8, 16, 32, 39, 40, 48 and 3 more.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
92 bars, about 3:14 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 9 times: bars 8, 16, 32, 39, 40, 48 and 3 more.