177 bars of 4/4 at 119 BPM, about 5:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-4, kick and crashes through bars 5-8, hi-hat through bars 9-32, ride through bars 33-40, hi-hat through bars 41-64 and ride through bars 65-76, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 80, 82 and 84, and 11 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
80
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |----x-------x-------x-------x---|
BD |x-----x---x-----x-----x---x-----|17 fills to learn, played 30 times: bars 8, 32, 36, 40, 64, 68 and 24 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
119 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
177 bars, about 5:53 at the written tempo. The course breaks it into 58 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 30 times: bars 8, 32, 36, 40, 64, 68 and 24 more.