114 bars at 168 BPM -- fast, and 2:42 of it without a break -- on crash, hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-33, snare through bars 34-35, hi-hat through bars 36-65, silence through bars 66-81 and hi-hat through bars 82-114.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 32 more places -- 42.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |--x---x-x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
168 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
114 bars, about 2:42 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.