288 bars of 4/4 at 120 BPM, about 9:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-36, ride through bars 37-44, hi-hat through bars 45-53, ride through bars 54-69, hi-hat through bars 70-87 and ride through bars 88-95, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 170-176, 178-184 and 194-211, and 1 more place -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
171
1.......2.......3.......4.......
HH |o---o---o---o---o---o---o---o---|
SD |----x-------x-------x-------x---|
BD |x-------x-------x-------x-------|17 fills to learn, played 25 times: bars 36, 40, 42, 44, 45, 47 and 19 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
288 bars, about 9:35 at the written tempo. The course breaks it into 74 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 25 times: bars 36, 40, 42, 44, 45, 47 and 19 more.