93 bars of 4/4 at 112 BPM, about 3:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in how often it moves around the kit.
silence through bars 1-4, ride through bars 5-12, hi-hat through bars 13-16, ride through bars 17-20, hi-hat through bars 21-28 and ride through bars 29-40, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 17-20, and 9 more places -- 44% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x--x-x--x--x|
BD |x-x-------x-----|4 fills to learn, played 10 times: bars 4, 8, 28, 47, 48, 60 and 4 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 40 out of 100; the rest of the number is everything around it.
93 bars, about 3:19 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 4, 8, 28, 47, 48, 60 and 4 more.