137 bars of 8/4 -- not four -- at 124 BPM, 8:46 of playing on crash, ride, hi-hat, snare, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-8, hi-hat through bars 9-24, snare through bars 25-52, hi-hat through bars 53-60, ride through bars 61-69 and silence through bars 70-137.
The beat the song is built on is one bar, played through bars 25-48 -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1e+a2e+a3e+a4e+a5e+a6e+a7e+a8e+a
CC |x-------------------------------|
SD |----x-------x-------x-------x---|
BD |x-------x-x-----x-------x-x-----|3 fills to learn, played 12 times: bars 12, 24, 50, 52, 61, 62 and 6 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
137 bars, about 8:46 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 12, 24, 50, 52, 61, 62 and 6 more.