100 bars of 4/4 at a walking 109 BPM, 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-26, ride through bars 27-28, hi-hat through bars 29-46, ride through bars 47-48 and hi-hat through bars 49-52, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 9-16, 25 and 30, and 11 more places -- 41.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x----x--x---|
BD |x-xx-xx-x-xx-xx-|8 fills to learn, played 23 times: bars 27, 42, 47, 48, 51, 52 and 17 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
109 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
100 bars, about 3:47 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 27, 42, 47, 48, 51, 52 and 17 more.