110 bars of 4/4 at 117 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-17, ride through bars 18-19, hi-hat through bars 20-21, ride through bars 22-24 and hi-hat through bars 25-46, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 6-8, 10-16 and 20-21, and 13 more places -- 54.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x--x-x---x--x---|6 fills to learn, played 25 times: bars 5, 9, 17, 22, 24, 28 and 19 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
110 bars, about 3:44 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 25 times: bars 5, 9, 17, 22, 24, 28 and 19 more.