99 bars of 4/4 at 128 BPM, about 3:06 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-20, kick and crashes through bars 21-24, hi-hat through bars 25-45, kick and crashes through bars 46-50 and hi-hat through bars 51-99.
The beat the song is built on is one bar, played through bars 9-15, 35-41 and 62-68 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x---x---x---x---|5 fills to learn, played 16 times: bars 24, 34, 46, 50, 52, 54 and 10 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
99 bars, about 3:06 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 24, 34, 46, 50, 52, 54 and 10 more.