97 bars of 2/4 -- not four -- at 56 BPM, 5:09 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-12, ride through bars 13-30, hi-hat through bars 31-36, ride through bars 37-49 and snare through bars 50-97.
The beat the song is built on is one bar, played through bars 50-57 and 62-97 -- 45.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
50
1.......2.......
SD |--------x-------|
BD |x---x-----------|
HF |------------x---|7 fills to learn, played 8 times: bars 16, 21, 25, 39, 41, 43 and 2 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
56 BPM, in 2/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
97 bars, about 5:09 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 16, 21, 25, 39, 41, 43 and 2 more.