136 bars at 163 BPM -- fast, and 3:42 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-20, snare through bars 21-24, toms through bars 25-40, snare through bars 41-48, toms through bars 49-50 and snare through bars 51-68, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 5-6 and 9-10, and 7 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |--------x-x-x-x-|x-----------x---|
FT |x-x---x---------|----x---x-------|
BD |x-x-x-x---------|--x-x-x-x-x---x-|15 fills to learn, played 37 times: bars 20, 39, 40, 44, 54, 57 and 31 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
163 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
136 bars, about 3:42 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 37 times: bars 20, 39, 40, 44, 54, 57 and 31 more.