88 bars of 4/4 at 134 BPM, about 2:38 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5 and hi-hat through bars 6-88.
The beat the song is built on is a 2-bar phrase, played through bars 4, 6-9 and 18, and 5 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 9
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|o-o-o-o-o-o-o---|
SD |----x-------x---|----x-------x-xx|
BD |x-x---x-x-----x-|--x-----x-x-----|4 fills to learn, played 7 times: bars 16, 17, 41, 49, 57, 73 and 1 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
88 bars, about 2:38 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 7 times: bars 16, 17, 41, 49, 57, 73 and 1 more.