105 bars at 198 BPM -- fast, and 2:07 of it without a break -- on crash, hi-hat, snare and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-4, snare through bars 5-8, hi-hat through bars 9-40, snare through bars 41-42, hi-hat through bars 43-44 and snare through bars 45-46, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 10, 14 and 17-32, and 11 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x-x-|
BD |x-------x-x-----|2 fills to learn, played 12 times: bars 8, 12, 33, 34, 37, 38 and 6 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
105 bars, about 2:07 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 12 times: bars 8, 12, 33, 34, 37, 38 and 6 more.