123 bars of 4/4 at 147 BPM, about 3:21 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-24, snare through bars 25-40, hi-hat through bars 41-65, kick and crashes through bars 66-69 and hi-hat through bars 70-72, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 26-32, 34-40 and 58-64, and 5 more places -- 37.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1e+a2e+a3e+a4e+a
CC |x-g-x-g-x-g-x-g-|
SD |----x-------x---|
BD |x-------x-------|7 fills to learn, played 15 times: bars 17, 23, 24, 25, 69, 70 and 9 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
123 bars, about 3:21 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 17, 23, 24, 25, 69, 70 and 9 more.