144 bars at 174 BPM -- fast, and 3:18 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, snare through bars 8-28, hi-hat through bars 29-35, snare through bars 36-42, hi-hat through bars 43-49 and snare through bars 50-70, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 1-7, 10 and 12, and 33 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1e+a2e+a3e+a4e+a
SD |--------x-------|
BD |--x-x-----------|1 fill to learn, played 4 times: bars 40, 56, 112 and 120.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
144 bars, about 3:18 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 40, 56, 112 and 120.