129 bars of 4/4 at 147 BPM, about 3:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-10, hi-hat through bars 11-26, ride through bars 27-64, silence through bars 65-75, hi-hat through bars 76-91 and ride through bars 92-129.
The beat the song is built on is one bar, played through bars 27-41, 43-44 and 46-49, and 7 more places -- 54.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-xx-xx-|
SD |--x---x---x---x-|
BD |x---x--x-x--x---|3 fills to learn, played 12 times: bars 10, 42, 50, 61, 62, 63 and 6 more.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
129 bars, about 3:31 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 10, 42, 50, 61, 62, 63 and 6 more.