92 bars of 4/4 at 118 BPM, about 3:07 of playing, on crash, hi-hat, snare and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, kick and crashes through bars 5-8, hi-hat through bars 9-25, silence through bars 26-28, kick and crashes through bars 29-32 and hi-hat through bars 33-56, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 17-23, 41-47 and 49-56, and 3 more places -- 55.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |--------x---x-----------x-------|
BD |x---x-----------x-----------x---|2 fills to learn, played 4 times: bars 24, 48, 72 and 80.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
92 bars, about 3:07 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 29 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 24, 48, 72 and 80.