88 bars of 4/4 at a walking 88 BPM, 4:00 of playing, on hi-hat, snare and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-16, silence through bars 17-19 and hi-hat through bars 20-88.
The beat the song is built on is one bar, played through bars 5-6, 10-12 and 25-27, and 4 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5
1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x-----------------x-----------x-----------------|1 fill to learn, played 1 time: bar 88.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
88 bars, about 4:00 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 24 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.
1 fill to learn, played 1 time: bar 88.