198 bars of 4/4 at 144 BPM, about 5:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-8, hi-hat through bars 9-16, kick and crashes through bars 17-18, silence through bars 19-21, hi-hat through bars 22-29 and ride through bars 30-37, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 22, 24-26 and 28, and 9 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |xx-xxxxxxx-xxxxx|20 fills to learn, played 40 times: bars 29, 33, 37, 45, 47, 53 and 34 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
198 bars, about 5:30 at the written tempo. The course breaks it into 70 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 40 times: bars 29, 33, 37, 45, 47, 53 and 34 more.