235 bars of 4/4 at 133 BPM, about 7:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-51, toms through bars 52-56, hi-hat through bars 57-64, ride through bars 65-72, kick and crashes through bars 73-75 and toms through bars 76-80, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 33-48 and 131-146, and 1 more place -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x---x---x---x-|
BD |x---x---x---x---|26 fills to learn, played 43 times: bars 4, 8, 16, 24, 32, 50 and 37 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
235 bars, about 7:04 at the written tempo. The course breaks it into 68 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 43 times: bars 4, 8, 16, 24, 32, 50 and 37 more.