122 bars at 178 BPM -- fast, and 2:43 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-49, snare through bars 50-57, hi-hat through bars 58-81, toms through bars 82-97, snare through bars 98-99 and hi-hat through bars 100-122.
The beat the song is built on is one bar, played through bars 2-16, 18-24 and 42-49, and 3 more places -- 35.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
SD |----x-------x---|
BD |x-------x-------|6 fills to learn, played 11 times: bars 25, 41, 65, 73, 81, 97 and 5 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
178 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
122 bars, about 2:43 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 25, 41, 65, 73, 81, 97 and 5 more.