66 bars of 4/4 at a walking 90 BPM, 2:56 of playing, on hi-hat, snare and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-36, silence through bars 37-40 and hi-hat through bars 41-66.
The beat the song is built on is one bar, played through bars 1-8, 17-24 and 33-36, and 2 more places -- 48.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e+a
HH |-Xx-x--X-xx-x-x-|
SD |----x-------x-X-|
BD |x--x-g--xx-x-g--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
66 bars, about 2:56 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 25 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.