181 bars of 4/4 at a walking 90 BPM, 8:03 of playing, on crash, ride, snare, high tom, mid tom, kick and hi-hat foot.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-6, snare through bars 7-9, silence through bars 10-12, snare through bars 13-46, silence through bars 47-54 and ride through bars 55-66, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 71-78, 83-90 and 95-102, and 3 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
71
1e+a2e+a3e+a4e+a
SD |------------x---|
BD |x-----x-x-------|
HF |x-x-x-x-x-x-x-x-|4 fills to learn, played 11 times: bars 7, 8, 34, 69, 81, 93 and 5 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 6 out of 100; the rest of the number is everything around it.
181 bars, about 8:03 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 7, 8, 34, 69, 81, 93 and 5 more.