297 bars of 6/4 -- not four -- at 160 BPM, 10:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-19, hi-hat through bars 20-38, toms through bars 39-46, hi-hat through bars 47-61, silence through bars 62-64 and hi-hat through bars 65-68, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 42, 88 and 101-106, and 4 more places -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
104
1e+a2e+a3e+a4e+a5e+a6e+a
CC |------------x-----------|
SD |------------x-----------|
T2 |x-----------------------|
FT |x-----------------------|
BD |x---x---x---x---x---x---|15 fills to learn, played 32 times: bars 44, 45, 46, 76, 85, 86 and 26 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
297 bars, about 10:10 at the written tempo. The course breaks it into 70 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 44, 45, 46, 76, 85, 86 and 26 more.