118 bars of 4/4 at 120 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
93 out of 100. Hard, and what makes it hard is how many notes a second it asks for.
snare through bar 1, hi-hat through bars 2-5, ride through bars 6-9, toms through bars 10-12, snare through bars 13-29 and hi-hat through bars 30-33, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 13 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22
1.......2.......3.......4.......
CC |--x-----------x---x-----------x-|
HH |----o---o---o-------o---o---o---|
SD |----x-------x-------x-------x---|
BD |--x-----x-x---x---x-----x-x---x-|8 fills to learn, played 27 times: bars 6, 7, 8, 9, 10, 11 and 21 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
93 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 82 out of 100; the rest of the number is everything around it.
118 bars, about 3:56 at the written tempo. The course breaks it into 43 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 27 times: bars 6, 7, 8, 9, 10, 11 and 21 more.