92 bars of 4/4 at a walking 95 BPM, 3:52 of playing, on hi-hat, snare and kick.
23 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-4, kick and crashes through bars 5-20, silence through bars 21-26, snare through bars 27-36, kick and crashes through bars 37-52 and silence through bars 53-58, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 13-20, 29-36 and 45-52, and 2 more places -- 64.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
13
1e+a2e+a3e+a4e+a
HH |o-o-------------|
SD |----x-------x---|
BD |x---------x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
23 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
92 bars, about 3:52 at the written tempo. The course breaks it into 9 exercises over 2 sittings, about 29 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.