132 bars of 4/4 at a walking 90 BPM, 5:52 of playing, on hi-hat, snare, high tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-8 and hi-hat through bars 9-132.
The beat the song is built on is one bar, played through bars 9-16, 33-40 and 65-84, and 1 more place -- 39.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
132 bars, about 5:52 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
hi-hat, snare, high tom, kick and hi-hat foot. Nothing in the part asks for anything else.