73 bars of 4/4 at a walking 84 BPM, 3:29 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-8, toms through bars 9-16, snare through bars 17-18, hi-hat through bars 19-24, toms through bars 25-30 and snare through bars 31-33, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 19-24, 43-48 and 57-64 -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19 20
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|o-o-o-o-o-o-o-o-|
SD |----x-x-----x---|----x-x-----x---|
BD |x-------x-------|x-x-----x-x---x-|2 fills to learn, played 3 times: bars 16, 40 and 72.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 32 out of 100; the rest of the number is everything around it.
73 bars, about 3:29 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 16, 40 and 72.