158 bars at 178 BPM -- fast, and 3:33 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, snare through bars 17-32, hi-hat through bars 33-48, snare through bars 49-68, toms through bars 69-70 and snare through bars 71-78, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 17-19, 21-24 and 33, and 17 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
53
1e+a2e+a3e+a4e+a
CC |x-----x-------x-|
SD |------x-------x-|
BD |x---x-----x-x---|14 fills to learn, played 24 times: bars 16, 20, 28, 32, 40, 60 and 18 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
178 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
158 bars, about 3:33 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
14 fills to learn, played 24 times: bars 16, 20, 28, 32, 40, 60 and 18 more.