136 bars of 4/4 at 126 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-5, toms through bars 6-13, hi-hat through bars 14-20, toms through bars 21-35, hi-hat through bars 36-42 and toms through bars 43-49, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 58-60, 64-65 and 70-71, and 5 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
64
1e+a2e+a3e+a
CC |x-x-x-x-x-x-|
SD |------x-----|
BD |x---x-----x-|11 fills to learn, played 33 times: bars 49, 50, 51, 52, 53, 54 and 27 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 30 out of 100; the rest of the number is everything around it.
136 bars, about 4:00 at the written tempo. The course breaks it into 51 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 49, 50, 51, 52, 53, 54 and 27 more.