234 bars at 194 BPM -- fast, and 4:49 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-12, ride through bars 13-18, hi-hat through bars 19-20, snare through bars 21-29 and hi-hat through bars 30-31, and 32 more changes after that.
The beat the song is built on is one bar, played through bars 41-46, 49-54 and 63-69, and 10 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---x---|18 fills to learn, played 38 times: bars 4, 19, 20, 47, 48, 55 and 32 more.
It cuts the song into 65 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
234 bars, about 4:49 at the written tempo. The course breaks it into 65 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 38 times: bars 4, 19, 20, 47, 48, 55 and 32 more.