79 bars, 4:20, at 73 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, snare through bars 6-13, hi-hat through bars 14-23, snare through bars 24-36, hi-hat through bars 37-38 and snare through bars 39-43, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 37-38, and 1 more place -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14
1e+a2e+a3e+a4e+a
CC |X---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |Xxx-----x-xx-xx-|3 fills to learn, played 4 times: bars 53, 58, 59 and 79.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
73 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
79 bars, about 4:20 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 4 times: bars 53, 58, 59 and 79.