172 bars of 4/4 at a walking 92 BPM, 7:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-23, snare through bars 24-36, hi-hat through bars 37-55, snare through bars 56-68 and ride through bars 69-79, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 5-23, 37-55 and 155-172 -- 38.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--x-x-x-x-x-x-x-|
SD |x---x---x---x---|
BD |--xx--xx--xx--xx|7 fills to learn, played 12 times: bars 28, 36, 60, 68, 72, 76 and 6 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
172 bars, about 7:29 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 28, 36, 60, 68, 72, 76 and 6 more.