180 bars of 4/4 at a walking 100 BPM, 7:12 of playing, on hi-hat, snare, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it.
silence through bars 1-7, toms through bars 8-12, snare through bars 13-16, toms through bars 17-44, kick and crashes through bars 45-64 and hi-hat through bars 65-68, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 13-16, 109-112 and 125-128, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1e+a2e+a3e+a4e+a
SD |----x---x---x---|
BD |x--x-------x----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
180 bars, about 7:12 at the written tempo. The course breaks it into 75 exercises over 20 sittings, about 24 minutes each.
hi-hat, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.