61 bars, 3:49, at 64 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-56 and snare through bars 57-61.
The beat the song is built on is one bar, played through bars 1, 3-4 and 6-8, and 12 more places -- 55.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----------------------|4 fills to learn, played 6 times: bars 2, 13, 14, 38, 42 and 54.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
61 bars, about 3:49 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 6 times: bars 2, 13, 14, 38, 42 and 54.