216 bars of 4/4 at a walking 100 BPM, 8:38 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-3, silence through bars 4-6, snare through bars 7-13, kick and crashes through bars 14-17, hi-hat through bars 18-26 and kick and crashes through bars 27-28, and 30 more changes after that.
The beat the song is built on is one bar, played through bars 16, 18-20 and 22-24, and 34 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
BD |x---------------|8 fills to learn, played 20 times: bars 1, 2, 13, 27, 28, 36 and 14 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 5 out of 100; the rest of the number is everything around it.
216 bars, about 8:38 at the written tempo. The course breaks it into 29 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 1, 2, 13, 27, 28, 36 and 14 more.