124 bars of 4/4 at 150 BPM, about 3:18 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-28, silence through bars 29-30, hi-hat through bars 31-72, silence through bars 73-74 and hi-hat through bars 75-124.
The beat the song is built on is a 2-bar phrase, played through bars 5-28, 31-72 and 75-105, and 1 more place -- 97.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
5 6
1.....2.....3.....4..... 1.....2.....3.....4.....
CC |x-----------------------|------------------------|
HH |------x-----x-----x-----|x-----x-----x-----o-----|
SD |------------x-----------|------------x-------g-g-|
BD |x-----x-----------------|x-----x-----------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
124 bars, about 3:18 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.