67 bars of 4/4 at 118 BPM, about 2:16 of playing, on crash, ride, hi-hat, snare and floor tom.
30 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
silence through bars 1-3, hi-hat through bars 4-17, silence through bars 18-19, hi-hat through bars 20-36, silence through bars 37-40 and hi-hat through bars 41-67.
The beat the song is built on is one bar, played through bars 5-8, 10-11 and 13-16, and 7 more places -- 55.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
FT |x---x---x---x---|3 fills to learn, played 7 times: bars 4, 12, 20, 28, 32, 66 and 1 more.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
30 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
67 bars, about 2:16 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 29 minutes each.
crash, ride, hi-hat, snare and floor tom. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 4, 12, 20, 28, 32, 66 and 1 more.