134 bars of 4/4 at 126 BPM, about 4:15 of playing, on hi-hat, snare, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-58, silence through bars 59-62 and hi-hat through bars 63-134.
The beat the song is built on is one bar, played through bars 3-10, 19-26 and 35-58, and 2 more places -- 73.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
3
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----r---r-------|
BD |x---------x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
134 bars, about 4:15 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 24 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.