72 bars of 6/4 -- not four -- at 85 BPM, 5:05 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-48 and silence through bars 49-72.
The beat the song is built on is one bar, played through bars 17-19, 25 and 33-35, and 2 more places -- 27.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17
1e+a2e+a3e+a4e+a5e+a6e+a
CC |x-----------------------|
HH |x-x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x---x-------x---x-----x-|7 fills to learn, played 11 times: bars 12, 14, 16, 24, 28, 30 and 5 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 41 out of 100; the rest of the number is everything around it.
72 bars, about 5:05 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 12, 14, 16, 24, 28, 30 and 5 more.