224 bars at 205 BPM -- fast, and 4:25 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-25, ride through bars 26-27, hi-hat through bars 28-49, snare through bars 50-72 and hi-hat through bars 73-81, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 57-63, 65-72 and 149-155, and 2 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
57
1.......2.......3.......4.......
CC |--------x---------------x-------|
SD |--------x---------------x-------|
BD |----x-----------x---x-------x---|14 fills to learn, played 18 times: bars 8, 9, 21, 23, 29, 30 and 12 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
205 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
224 bars, about 4:25 at the written tempo. The course breaks it into 69 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 18 times: bars 8, 9, 21, 23, 29, 30 and 12 more.