68 bars of 4/4 at a walking 81 BPM, 3:21 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it.
silence through bars 1-6, snare through bars 7-9, silence through bars 10-16, hi-hat through bars 17-24, silence through bars 25-28 and hi-hat through bars 29-56, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 17-18, 29-31 and 33-35, and 4 more places -- 37% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x---------x-----|2 fills to learn, played 2 times: bars 32 and 61.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
68 bars, about 3:21 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 32 and 61.